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I was working in Hong Kong back then, but I was visiting the U.S. Robin Shou, Liu Kang: It was the toughest casting process. Hong Kong martial arts veteran Robin Shou is a top choice for Liu Kang - but landing the part proves to be a grueling process. I kind of bluffed my way in, but I think they could see the enthusiasm.Īnderson enters preproduction in early 1994, with the script from screenwriter Kevin Droney still in progress. It sounded like I knew more about CG than anyone else in Hollywood, even though I’d never been into a visual effects house. Because of our monetary restraints, we weren’t able to do exactly what he was coming up with, but it would lead to something else.Īnderson: I had no experience with visual effects, so I went to Samuel French’s book store and I bought every single book I could find on visual effects, on matte paintings, on CGI.
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I was super-enthusiastic.Īpelian: Paul would come in every single day with these amazing, creative ideas with how to shoot something or how to create some fantastical scene.
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So when I heard they were making a movie of Mortal Kombat, most filmmakers were being a bit snooty about it. I didn’t know anybody in London, so all I would do is play video games for three or four hours at the arcade.
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Quite often, I’d have a meeting at 10 o’clock in the morning and 3 o’clock in the afternoon. I would come to London for meetings when I was trying to get my career off the ground. Anderson, director: I grew up in a northern industrial town called Newcastle Upon Tyne, where there was no film industry. Afterward, I said, “We’ve got to get this guy.” There was no question. They shot it on something like $ 100K in the streets of London. I was totally blown away with the talent he had in it. Paul Anderson was an unknown director with this little film. I went to the CAA screening room to see Shopping. I really wanted to find someone who would have an innovative, fresh approach. Directors with whole lists of important, wonderful films. Lauri Apelian, associate producer: We were getting submissions for top, top directors. I hate this movie.” And he yelled at us for an hour and then said, “Go ahead and make it.” They’d already greenlighted the movie, and the studio head walked in with the script, threw it down on the table and said, “I hate the script. Kasanoff: Everyone was telling me this wouldn’t work and my career would be over. 'Teenage Mutant Ninja Turtles': Untold Story of the Movie "Every Studio in Hollywood" Rejected I finally just wore them down and they optioned the rights to me for an insanely short amount of time, which now I would never do, but it was my first deal at my company. Because video game movies had recently failed, like Mario Bros., no one believed it.
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This is a whole phenomenon.” I said, “If you give me the rights to this, I promise you I will produce this, not just in movies, but in every medium in the world.” He looked at me and said, “You’re full of crap! It’s just an arcade game!” That began a three-month process of me trying to convince them that it was more than just an arcade game.
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Nicastro and I said, “This is Star Wars meets Enter the Dragon. Larry Kasanoff, producer: I played the Mortal Kombatarcade game in their office for half an hour. In June 1993, Larry Kasanoff is catching up with friends at Midway Games’ offices, who are high on their new arcade sensation, ‘Mortal Kombat.’ Their follow-up, ‘Mortal Kombat II,’ was in the testing phase, and Kasanoff is stunned by his first look at the series, which had yet to hit home video game consoles. “YOU’RE FULL OF CRAP! IT’S JUST AN ARCADE GAME!”
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He saw a TV series, stage shows, albums and movies all in its future. He envisioned it as a phenomenon on the order of T2. But Kasanoff believed it was destined to be more than just a video game. It was bloody, hyper-realistic and already a sensation at the arcade. The guys at Midway showed Kasanoff Mortal Kombat, a new game they said would beat his T2 record.